Popular Ghanaian singer, Shatta Wale, has gone on Twitter to appraise Nigerian artistes a year after calling them ungrateful.
In a recent post, Shatta Wale described his countrymen’s music as a “Disgrace” while also commending Nigerian fans and promoters.
“Is better we stop arguing with Nigerian Fans, promoters, etc and ask for help.
“Me sef I need record label soon.
“Ghana music is a disgrace Mek nobody lie you .. Shouts to Naija I Ghana ppl too deh like talk with no action. Yes I have said it” he tweeted.
Shatta Wale’s recent action comes after he had called out and created a lot of controversies.
In December 2021, he slammed Nigerians for not showing support for Ghanaian artistes.
He had also told several Nigerian artistes to be thankful to Ghanaians for promoting their music.
He wrote: “They said I won’t be able to fill my own stadiums, I don’t need any Nigerian artiste to sell out Ghana’s stadium, f**k Nigerian artistes.”
“As for Nigerians, they think they can always say what they want to say. F**k your talks. Y’all who think I spoke the truth, I don’t even remember you guys promoting Ghanaian artiste in your country. Until you guys will realise your artiste ‘blew’ in Ghana to say thank you.”
“Bring it on and your artiste won’t get that hype they get from Ghana. I can make that stop. Don’t dare me.”
“It’s the truth, your artistes come here for numbers before the world can recognise them. Appreciate Ghana supporting your artiste and stop this foolishness.
“I won’t follow your artiste like some of my colleagues. If you do, I go wash your face with your own shame. Be thankful to Ghana for supporting your artiste and stop talking trash on here.
“No one can tell me anything. F**k all of you; because your thinking is not my thinking. Appreciate Ghana. period.
“Stop talking if we sing good music. Kwasia can’t you see what KiDi is doing? Foolish talks and foolish comments. Learn to say thank you. Ghana is your gateway.”
The singer’s remarks had stirred a lot of backlash from several Nigerians at the time of his post.
